Arts Everyday Living: Winslow Homer, Summer in the Mountains–Horse Riders at the Summit

Winslow Homer, Mount Washington, 1869, oil on canvas, Gift of Mrs. Richard E. Danielson and Mrs. Chauncey McComick, Smithsonian American Art Museum, Washington, D.C.

Artist: Winslow Homer (1836-1910)

Mount Washington, 1869

American master Winslow Homer is most famous for his dramatic scenes of the sea, particularly along the rocky New England coast. However, he also captured another side of American life in workss like Mount Washington, a depiction of early tourism in New Hampshire in 1869.  The artist, who was then employed  by the publication Harper’s Weekly, created two versions of this gathering of riders: the painting above and the illustration below meant for the customers of the magazine.

In both cases, the two women riders trekking up the steep terrain of the mountain are key to the action, although in the graphic interpretation they are even more prominent. placed closer to the viewer. Note too the pair of men in Mount Washington has expanded to a larger group in The Summit of Mount Washington.

Artist: Winslow Homer (1836-1910)

The Summit of Mount Washington, Harper’s Weekly, July 10, 1869

 

Winslow Homer, The Summit of Mount Washington, from Harper’s Weekly, July 10, 1869, 1869, wood engraving on paper, image: 9 1?8 x 13 7?8 in. (23.2 x 35.2 cm), Smithsonian American Art Museum, The Ray Austrian Collection, gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian, 1996.63.74

 

 

In the public domain, courtesy of the National Gallery of Art, Washington, D.C.

The National Gallery of Art does not endorse or approve use of the above image or any of the material on this website. Nor has the National Gallery of Art participated in any projects utilizing the said image.

 

The Smithsonian American Art Museum does not endorse or approve use of the above image or any of the material on this website. Nor has the Smithsonian American Art Museum participated in any projects utilizing the said image.

This media is in the public domain (free of copyright restrictions), Smithsonian.

 

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