Arts Everyday Living: Heiress, Patron & Artist—The Vanderbilt Touch

Reposted blog on the Vanderbilts in art.

 

 

HEIRESS, PATRON & ARTIST

THE VANDERBILT TOUCH

 

Gertrude and I were heiresses.  There seemed never to have been a time when this was not made clear.

Consuelo Vanderbilt

Robert Henri

Robert Henri, Gertude Vanderbilt Whitney, 1916, oil on canvas, Whitney Museum of Art, New York, New York

In Robert Henri’s portrait of Gertrude Vanderbilt Whitney done in 1916, she personifies sophistication and wealth—at ease with the luxurious way of life inherited from her extraordinarily rich family.  Yet, she also projects the confidence of a woman who has pursed a professional career as a sculptor, independent of her upbringing and background.  By the early 1930s, she would found the Whitney Museum, still an important force in the contemporary art world.

Robert Henri (1865-1929) was not only an artist, but a teacher and writer as well.  He is remembered as an influential figure in the development of the Ashcan School of painting, a movement that stressed realism—urging his colleagues to depict all aspects of New York’s urban environment  including the impoverished conditions of many of its citizens.

The above image is used solely for educational purposes.

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